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Chapter XLVI - Love Theme from Blade Runner

Ignored by the public and openly criticized bad its original release, Blade Runner (1982, Ridley Scott), gradually changed from being punished by a film critic to be converted into a cult, an object of devotion of moviegoers and a true legend in the history of cinema. Perhaps too advanced for its time, is the film that defined my tastes when it comes to choosing movies, good movies in advance. And is that 25 years after its premiere have served half of the things prophesied Blade Runner.

The film also contains a couple of scenes of anthology in the history of cinema, like "Tears in the Rain " or the debate (which has already been 20 years!) On whether or not Ray Deckard is a Replicant

And the soundtrack? Oh God, yes this sound track is a whore!
Composed by Evangelos Papathanassiou, better known as Vangelis , takes us immediately to the retro-futuristic atmosphere of the film. The music, beautiful, emotional and disturbing, is full of sound effects and samples scenes from the film, what is so peculiar to this soundtrack that helps to recreate the urban environment, and melancholy night of the movie (like a noir story , detectives wave, but in the future)

Well, my good friend and musical sidekick, Mario Flores , we recreated Love Theme, one of the most poetic and emotional film.

To listen, simply press "play"

Love Theme from Blade Runner
(composed by Vangelis, 1981)

Schedules: Marcelo Perez Santiago
Guitars: Mario Flores

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Chapter XLV - Oxygen Part 8

A journey of confusion and futile suffering, joys casual, fleeting happiness that overflowing river called life circumstances

The world, the universe to which we hold ... and of which I have dropped

Text: Guido Skull

Oxygen Part 8 (composed by Jean Michel Jarre, 1997)

Schedules and additional arrangements: Marcelo Perez Santiago

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Chapter XLIV - Lacrimosa

Shortly before the end of the opera "The Magic Flute, Mozart get at home visit from a stranger dressed all in black, who refused to give his name, charged with the composition of a Requiem (Mass for the dead), offering a preview for further work an extra sum of money to finish the work if given promptly. Mozart, overwhelmed by debt accepted the assignment, but is convinced that the mysterious character is a messenger of Fate ... "I can not detach the image of the unknown, I see him everywhere and asked me eager to do the work."

Dark and brooding, obsessed with the idea of \u200b\u200bdeath from his father, weakened by fatigue and illness, end up believing that Mozart's Requiem is composing for his own funeral: "I know my end is near. Someone has poisoned me and I can not get this idea from the head"

On 4 December 1791, at 35 years old, steeped in misery and her unfinished Requiem, Mozart no longer exists. With a raging storm to the cemetery accompanied only by his faithful dog, is buried in a mass grave.

The Requiem has 15 movements and 8 parts, the "Lacrimosa" the eighth movement. It is believed that was the last I wrote, after being completed by his pupil Franz Xaver Süssmayr .

The Lacrimosa is a piece of soft, sweet, melancholic and feminine. It is a cry for the Eternal Rest (Perhaps Mozart asking for his, knowing that he was at death's door?: "Forgive as God. / Merciful Jesus, Lord, / give the rest / Amen.")

Wolfgang Amadeus Mozart Requiem in D Minor (KV 626), Eighth Movement, "Lacrimosa"

Schedules and additional arrangements: Marcelo Perez Santiago

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Chapter XLIII - Adagio

This is one of my favorites.

The "Adagio" Baroque composer Tomaso Albinoni is based on a fragment found after the Second World War by Italian musicologist Remo Giazotto , who rebuilt the motion based on just 6 lines of melody, later becoming one of the most recognized and fundamental to any "Greatest Hits" of classical music.

Due to its length, I had to lower the audio quality to put on this blog, but if anyone wants this or other works that I will be recreating and up to the network, just have to ask them ...

To listen, you just have to "play"

Tomaso Albinoni Adagio in G minor

Schedules and additional arrangements: Marcelo Perez Santiago

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Chapter XLII - Moonlight

Composed in 1801 and dedicated to the Countess Giuletta Ricciardi only 17 years, beloved student and the teacher, the Moonlight Sonata tells a passionate love story and stormy. Rejected by the parents of Giuletta because their social status and as an advanced hearing is that Beethoven , absorbed and increasingly removed from the world, composed this beautiful piece he entitled "Quasi una Fantasia"

With the help of a score in PDF format, different software for creating, producing and editing music, wit, many hours of work and infinite patience is that I could set my machine to run the sonata.

The book starts with a very pronounced beat, slow, deep, almost mournful, in which Beethoven gives us to understand his depression. Then comes the arpeggio, only 3 mysterious notes that are repeated endlessly throughout the movement, to make way for the melody, infinitely sad and hopeless. The calm of the sonata is suddenly torn with incessant scales, in which the music seems to swirl, as if the piano would scream. Feelings are confused, love, desire, despair and anger at the frustration of unconsummated love is what drives the music in this part "is beautiful to the bone" and "nothing would make me happier than to marry she "had told a friend to Beethoven in a letter referring to Giuletta. The scale goes down, or rather "falls." The hopes are gone ... Finally returns the compass marking, arpeggio and melody, but this time with passion and force very different from the first part ...

To listen to the song, simply press play
If you do not show any player CLICK HERE

Ludwig
Van Beethoven Sonata No. 14 in C sharp minor, "Moonlight"

Schedules and additional arrangements: Marcelo Perez Santiago