Fancy Dress Milk Carton

Chapter LII - End Titles from Blade Runner

early XXI Century, the Tyrell Corporation developed a new type of robot called the Nexus, a being virtually identical to the man known as a Replicant.

The Nexus-6 Replicants were superior in strength and agility, and at least equal in intelligence, genetic engineers who created them.

In outer space, the replicators were used as slave labor in the hazardous exploration and colonization of other planets.

After a bloody mutiny by a combat team Nexus-6 in a colony, Replicants were declared illegal on Earth under penalty of death.

police Brigades with special units called Blade Runners, had orders to shoot to kill to see any Replicante invader.

This was not called execution,

... it was called retirement.

End Titles from Blade Runner
(composed by Vangelis, 1981)

Schedules and additional arrangements: Marcelo Perez Santiago

Power Of Attorney For Uae

Liquidity

As nobody bought or sold shares, a program designed to give each day quotes random. So sometimes the values \u200b\u200bwent up or down always inexplicably, ie as before. Some years later, the public used to the simulator, finally someone dared to spend 12 euros out of pocket to buy shares, and such liquidity among speculators sparked an uncontrollable euphoria. Unexpected fortunes began to emerge from the Cayman Islands and similar places. And many shares were purchased that could disable the program, but saved backup.

Cost To Cater Hordourve Reception

The blame for the crisis

some time ago, when things were going well, went on the Internet recommended by a friend to make some investments in the stock market. I started buying some values \u200b\u200band a pair of warrants, whatever it is that. But then I was encouraging and, without realizing it I gave him a button that was not. Suddenly I saw on indicators that the Tokyo stock market fell. I tried to give the 'undo' but I did something wrong and Wall Street fell. I stopped trying to fix it without funds to some banks. When I saw that was busy, I closed the computer and I hid.

Kates Playground Weight Gain

Chapter LI - Fantasy

In January this year, Ricardo Maturana, Elefante17 , told me he wanted to use my version of the Sonata 14, Moonlight, for a short film that came around for his head since last year.

Finally we can enjoy this short, and the wait really worth it. Gradually Elephant films have gained a distinct personality, as it has learned to tell stories also has set its own stamp, to the point that even the photograph of his films is already a feature. I draw much attention to the aesthetic and the direction of documentation they have.

me explain. In Fantasy, for example, we who looks over the shoulder of the protagonist in 5:15 minutes of your life. No further explanation, dialogues, camera cuts and pans. Maturana skillfully makes us partakers of the voyeurism of his camera, as if it let the action run its course, and he only was devoted to film what is happening before their eyes. A clear example of this is also In Retro .

The music for Fantasia is very wise. A very smart move by the Elephant include Ludwig Van's glorious music. Having seen the short film several times I think the soundtrack should be the "Moonlight", regardless of whether it was my version or any other, the Sonata 14, which was originally called "Almost a Fantasy" (Don Rica, without knowing , very nearly her achuntó the name) gives you the passion, sentiment and romance needed to set the story.

This video has quickly become one of my favorites along with Regulus short clip of Data and Zero v / s Elvis Presley Let Me . I love the music of the picture of Fantasia, where the images and editing are completely and utterly at the mercy of the music as if it were a video clip. Well Don

Rica, you keep beating. I hope you keep doing and keep giving us these pleasant surprises.

Fantasy
Screenwriting, producing, directing and editing: Elefante17
Music: Marcelo Perez Santiago, 14 Sonata in C # m, Moonlight

Fluid Seeping From Rash

Interlude: Losing my Religion

Life is great,
is bigger than you.
And you are not me.

Distances are that I will go the distance in your eyes.
Oh, I've said too much,
is what I chose.

This is me on the ropes,
this is me in the spotlight, losing my religion
,
trying to follow your side
I do not know if I can do.
Oh, I said too
and I have not said enough. I thought

hear you laugh. I thought
hear you sing.
I thought I heard you were going to try.

Each murmur
of every waking hour
choosing my confessions, trying not to lose
view, like a fool
hurt, lost and blind.
Oh, I've said too much,
is what I chose.

Consider this, consider this,
is the advice of the century, consider this,
is the error that made me fall on their knees,
failed
What if all these fantasies
begin to falter?
Now I've said too much. I thought

hear you laugh. I thought
hear you sing.
I thought I heard you were going to try.

But it was only a dream.
was just a dream.

This is me on the ropes,
this is me in the spotlight, losing my religion
,
trying to follow your hand
and do not know if I can do.
Oh no I've said too much,
but I have not said enough. I thought

hear you laugh. I thought
hear you sing.
I thought I heard you were going to try.

But it was only a dream,
treat, mourn, fly, try,
but it was only a dream, only
was a dream.
only a dream.

a dream.

Russian To Emglish Patch For Morrowind

Chapter L - Night

Composed in 1832 by Frédéric Chopin , a man who loved music and loved the piano, above all, the Night Number 2 is one of those tunes that could be heard throughout life.

Using only 4 bars, the left hand mechanically setting the pace and right totally free, the main melody is varied repeatedly with ornaments. A new four-bar phrase provides a harmonious contrast bleak.

The issue is sensually lyrical and melancholy. It's the romance in the vein and it caught my attention the sad and exquisitely frivolous is both. There is a piece we recommended, it is essential.

To listen, simply press "play"

Frédéric Chopin Nocturne in E b. major, Opus 9, No. 2

Schedules and additional arrangements: Marcelo Perez Santiago

How Long Recover Pleurisy

Interlude: First Trailer for The Spirit!

Well, images speak for themselves ... we finally have available awaited first trailer for Will Eisner's The Spirit "movie based on comics The Spirit , drawn by the teacher, the great Will Eisner and directed by none Frank Miller

More information on the official website: http://www.mycityscreams.com/

Monopoly Spongebob Secret Character

Chapter XLIX - Depeche Mode tribute album

The first Latin American tribute Depeche Mode now available for download for free, from this page

The tribute, a double album with the participation of bands from Mexico, Ecuador, Argentina, Peru, Colombia, and as the only Chilean band, insular.

Many thanks to the guys Binary Code for such management

Your comments



Updated:

Because the site collapsed under the Binary Code the number of visitors trying to download the tribute album to Depeche Mode, a friend got in his blog the 2 parts of the disk to rapidshare

This is the link:

http://reziztencia.blogspot.com/2008/03/tributo-synthpop-latinoamericano. html


Greetings!

Can Anyone Tell Me Some Hussyfan

Chapter XLVIII - John, 19:41

Last year when my friend (also a musician) Felipe Soto told me he would do the guitars of the rock opera Jesus Christ Superstar , to be presented live during this Holy Week, we head to put out the melodies and lyrics of the work. The project unfortunately did not prosper, but were achieved some pretty good things of this collaboration, as this Juan, 19:41 , the movement that closes the work.

"Then I was inspired ...
Now I'm sad and tired.
After all I've tried for 3 years ... now I seem
nineties.
So ... fear that I have finished
what we started?

What You started.
... I do not started.

God, thy will is hard, but you
all the cards in your hands.
drink from your cup of poison.
Clávame to your cross and quiébrame.
Desángrame, azótame, kill me.
Take me now,
... before I change my mind "

Juan, 19:41
(composed by Andrew Lloyd Weber , 1970)

Marriage Registration Officeaurangabad

Interlude: I Liar?

Vote in the poll published here on the left ...

Audio Device For Thinkpad T60

Chapter XLVII - For Elisa

"Oh, my brethren, my droogs. It was divine, divine Ludwig Van "

Alex, Clockwork Orange

Composite

the April 27, 1810, was originally titled "To Teresa." A copyist, in a moment of history, erroneously titled "Fur Elise", leaving the title as the definitive movement.

Legend has it that on one occasion when Beethoven was invited to a social gathering he met a young (presumably Elisa or Teresa) that began on the piano. The teacher, upon learning that she could play was called to interpret for him some tunes. The girl was well pleased, playing several pieces of contemporary composers, but interestingly, no composition him. Beethoven then asked to play some of his piano sonatas, to which the girl replied that she did because they were too complicated for her. Beethoven

then composed a simple tune, ideal for beginners, a unique beauty and one of the most popular worldwide.

The piece consists of 3 main parts. The first, quiet and romantic, even sweet, in which the melody is presented as universally recognized. The second is like an awakening, a joy that is growing, where the scales are quick to give a contrast with the first part. Suddenly, the tune falls (I tend to believe that that is the trademark of Beethoven) enter the minor keys, even sad, so back to the original melody, but tinged with more dramatic and romantic.

notice in my version is also the influences of modern composers such as Vangelis . And if you have some extra notes (a musician friend challenged me saying that the compositions of Beethoven or lack spare them a note ... but it is also true that in Beethoven's time there were no electronic arrangements)

To listen, simply press "play"

Ludwig Van Beethoven

"Für Elise. Memories of April 27, 1808"

Schedules and additional arrangements: Marcelo Perez Santiago

Trader Joes Celtic Sea Salt

Chapter XLVI - Love Theme from Blade Runner

Ignored by the public and openly criticized bad its original release, Blade Runner (1982, Ridley Scott), gradually changed from being punished by a film critic to be converted into a cult, an object of devotion of moviegoers and a true legend in the history of cinema. Perhaps too advanced for its time, is the film that defined my tastes when it comes to choosing movies, good movies in advance. And is that 25 years after its premiere have served half of the things prophesied Blade Runner.

The film also contains a couple of scenes of anthology in the history of cinema, like "Tears in the Rain " or the debate (which has already been 20 years!) On whether or not Ray Deckard is a Replicant

And the soundtrack? Oh God, yes this sound track is a whore!
Composed by Evangelos Papathanassiou, better known as Vangelis , takes us immediately to the retro-futuristic atmosphere of the film. The music, beautiful, emotional and disturbing, is full of sound effects and samples scenes from the film, what is so peculiar to this soundtrack that helps to recreate the urban environment, and melancholy night of the movie (like a noir story , detectives wave, but in the future)

Well, my good friend and musical sidekick, Mario Flores , we recreated Love Theme, one of the most poetic and emotional film.

To listen, simply press "play"

Love Theme from Blade Runner
(composed by Vangelis, 1981)

Schedules: Marcelo Perez Santiago
Guitars: Mario Flores

How Long Can Trichomoniasis Last

Chapter XLV - Oxygen Part 8

A journey of confusion and futile suffering, joys casual, fleeting happiness that overflowing river called life circumstances

The world, the universe to which we hold ... and of which I have dropped

Text: Guido Skull

Oxygen Part 8 (composed by Jean Michel Jarre, 1997)

Schedules and additional arrangements: Marcelo Perez Santiago

Mount And Blade Sergeant

Chapter XLIV - Lacrimosa

Shortly before the end of the opera "The Magic Flute, Mozart get at home visit from a stranger dressed all in black, who refused to give his name, charged with the composition of a Requiem (Mass for the dead), offering a preview for further work an extra sum of money to finish the work if given promptly. Mozart, overwhelmed by debt accepted the assignment, but is convinced that the mysterious character is a messenger of Fate ... "I can not detach the image of the unknown, I see him everywhere and asked me eager to do the work."

Dark and brooding, obsessed with the idea of \u200b\u200bdeath from his father, weakened by fatigue and illness, end up believing that Mozart's Requiem is composing for his own funeral: "I know my end is near. Someone has poisoned me and I can not get this idea from the head"

On 4 December 1791, at 35 years old, steeped in misery and her unfinished Requiem, Mozart no longer exists. With a raging storm to the cemetery accompanied only by his faithful dog, is buried in a mass grave.

The Requiem has 15 movements and 8 parts, the "Lacrimosa" the eighth movement. It is believed that was the last I wrote, after being completed by his pupil Franz Xaver Süssmayr .

The Lacrimosa is a piece of soft, sweet, melancholic and feminine. It is a cry for the Eternal Rest (Perhaps Mozart asking for his, knowing that he was at death's door?: "Forgive as God. / Merciful Jesus, Lord, / give the rest / Amen.")

Wolfgang Amadeus Mozart Requiem in D Minor (KV 626), Eighth Movement, "Lacrimosa"

Schedules and additional arrangements: Marcelo Perez Santiago

Scooter Metal Cover Eagle

Chapter XLIII - Adagio

This is one of my favorites.

The "Adagio" Baroque composer Tomaso Albinoni is based on a fragment found after the Second World War by Italian musicologist Remo Giazotto , who rebuilt the motion based on just 6 lines of melody, later becoming one of the most recognized and fundamental to any "Greatest Hits" of classical music.

Due to its length, I had to lower the audio quality to put on this blog, but if anyone wants this or other works that I will be recreating and up to the network, just have to ask them ...

To listen, you just have to "play"

Tomaso Albinoni Adagio in G minor

Schedules and additional arrangements: Marcelo Perez Santiago

Best Hd Semi Pro Camcorder

Chapter XLII - Moonlight

Composed in 1801 and dedicated to the Countess Giuletta Ricciardi only 17 years, beloved student and the teacher, the Moonlight Sonata tells a passionate love story and stormy. Rejected by the parents of Giuletta because their social status and as an advanced hearing is that Beethoven , absorbed and increasingly removed from the world, composed this beautiful piece he entitled "Quasi una Fantasia"

With the help of a score in PDF format, different software for creating, producing and editing music, wit, many hours of work and infinite patience is that I could set my machine to run the sonata.

The book starts with a very pronounced beat, slow, deep, almost mournful, in which Beethoven gives us to understand his depression. Then comes the arpeggio, only 3 mysterious notes that are repeated endlessly throughout the movement, to make way for the melody, infinitely sad and hopeless. The calm of the sonata is suddenly torn with incessant scales, in which the music seems to swirl, as if the piano would scream. Feelings are confused, love, desire, despair and anger at the frustration of unconsummated love is what drives the music in this part "is beautiful to the bone" and "nothing would make me happier than to marry she "had told a friend to Beethoven in a letter referring to Giuletta. The scale goes down, or rather "falls." The hopes are gone ... Finally returns the compass marking, arpeggio and melody, but this time with passion and force very different from the first part ...

To listen to the song, simply press play
If you do not show any player CLICK HERE

Ludwig
Van Beethoven Sonata No. 14 in C sharp minor, "Moonlight"

Schedules and additional arrangements: Marcelo Perez Santiago